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BIO

I am the Director of the CompMusic Lab for comparative and computational musicology, author of "Comparative musicology: Evolution, universals, and the science of the world's music" (Oxford University Press, 2026), and host of "Many Voices: A world music podcast". We aim to use inclusive cross-cultural collaborative research to understand how and why we humans universally make and value music in such diverse ways. I began the lab in 2018 at Keio University in Japan, and in 2023 I moved back to Aotearoa New Zealand to take up a Rutherford Discovery Fellowship and Marsden grant to study cross-cultural relationships between music and language (keeping a cross-appointment at Keio).

 

NB: I am currently unable to accept new graduate students to the lab other than in exceptional circumstances until October 2028 (when I return to my full-time position at Keio University after my 5-year Rutherford Discovery Fellowship). 

Selected distinctions/honours:
2025 Early Career Research Excellence Award for Humanities (Royal Society Te Apārangi)

2023-2028 Rutherford Discovery Fellow (Royal Society Te Apārangi)
2023 Inaugural Rising Star (Human Behavior and Evolution Society)
2022 Inaugural Early Career Award (Society for Music Perception and Cognition)
2022 Young Scientists’ Prize (Japanese Minister for Education, Culture, Sports, Science and Technology)
2022 Rising Star (Association for Psychological Science)
2020 Best Application paper award (International Society for Music Information Retrieval)
2017 Ikushi Prize (Japan Society for the Promotion of Science)
2017 Hirayama Ikuo Arts and Culture Prize (Tokyo University of the Arts)

Selected media coverage (links at bottom left of this page):
New York Times: "Why do people make music?"
Undark: "Including globally diverse groups improves music research"

Discover: "Music and mutations could be linked"
New York Times: "The unfinished work of Alan Lomax’s Global Jukebox"
Radio New Zealand: "How AI can help spot music plagiarism"
Royal Society Te Apārangi: "2025 Research Excellence Award for Humanities: Music can bond us together better than language, new research finds"

UNIVERSITY OF AUCKLAND APPOINTMENTS

  • Senior Research Fellow
    Faculty of Science, Psychology, New Zealand

MEDIA

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ACADEMIC POSITIONS

  • Associate Professor
    Keio University, Faculty of Environment and Information Studies, Japan2018 - present
  • Postdoctoral Researcher
    University of Oxford, School of Anthropology and Museum Ethnography, Oxford, United Kingdom2017 - 2018

NON-ACADEMIC POSITIONS

  • Recommender [equivalent to journal Associate Editor]
    Peer Community In Registered Reports2023 - present
  • Advisory Board Member
    Association for Cultural Equity2019 - present
  • Editorial Board Member
    Empirical Musicology Review2020 - present
  • Editorial Board Member
    Music & Science, UK2024 - present

DEGREES

  • PhD (Ethnomusicology)
    Tokyo University of the Arts, Japan2017
  • MA (Ethnomusicology)
    Tokyo University of the Arts, Japan2014
  • MSc (Psychology, Neuroscience and Behaviour)
    McMaster University, Hamilton, ON, Canada2011
  • BA summa cum laude (Music composition)
    Amherst College, USA2007

LANGUAGES

  • Japanese
    Can read, write, speak, understand and peer review
  • English
    Can read, write, speak, understand and peer review

FACULTY / INSTITUTE

  • Science

GRADUATE SUPERVISION

  • PhD/Doctoral Accredited Supervisor

MEDIA ENQUIRIES

  • Available for media enquiries

FIELDS OF RESEARCH